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An exciting addition to the festival's program this year is a two-day International Piano Pedagogy Symposium, which will take place as part of the WIPF at Ward Recital Hall on campus of the Catholic University of America. International
Piano Pedagogy Symposium
The cost of the Symposium's pass is included in the participants' tuition, and all of the WIPF participants are encouraged to attend. The event is also open to piano teachers and community. The Symposium's pass ($50) can be purchased at the door (please RSVP by July 21 at washingtonpianofest@gmail.com) or online on our website. You can also send a check made out to Washington International Piano Festival to: Washington
International Piano Festival
WIPF Lectures Maurice
Hinson "American Music Workshop", July 26 at 9:30 am Both lectures
will take place at Ward Recital Hall on the CUA's campus. The cost of
tickets is included in the participants' tuition. The lectures are open
to the community, and tickets can be purchased at the door or reserved
by emailing us at washingtonpianofest@gmail.com. Ticket
Prices:
Maurice Hinson
Dr. Hinson received his Bachelor of Arts degree from the University of Florida and his Master of Music and Doctor of Musical Arts degrees from the University of Michigan. He also studied at The Juilliard School and the Conservatoire National in Nancy, France. As Senior Professor of Piano in the School of Church Music at the Southern Baptist Theological Seminary in Louisville, Kentucky, Dr. Hinson's curriculum includes teaching piano, piano literature and piano chamber music. He has performed, lectured and given masterclasses worldwide. His books and editions have become classic standards in the studios of serious piano teachers and students the world over. Joseph Banowetz Banowetz is also internationally recognized as an author and editor. His book, The Pianist's Guide to Pedaling (University of Indiana Press, U.S.) has to date been printed in seven languages. Many of his piano editions have been translated into Chinese, Korean, and Japanese. He has served on major piano juries such as the Arthur Rubinstein Master Piano Competition (Israel), the Scottish International Piano Competition (Glasgow), the Belarussian International Piano Competition (Minsk), the Gina Bachauer International Piano Competition (U.S.), the 2001 World Piano Competition (U.S.), the Antonin Dvorák International Piano Competition (Czech Republic), the Hilton Head International Piano Competition (U.S.), and the Louisiana International Piano Competition (U.S.). Banowetz has been invited to teach and lecture at many schools, including the St. Petersburg Conservatory, the Juilliard School in New York City, London's Royal College and the Guildhall School of Music and Drama, theArtmúsic Escola de Música I Dansa of Barcelona, the Chopin Academy of Warsaw, Hong Kong's Academy for the Performing Arts, and China's national Conservatories of Beijing, Shanghai, and Guangzhou. To date, Banowetz has concertized in 35 countries worldwide, with most recent performances at festivals in the Czech Republic, Italy, France, Portugal, Spain, South Africa, and Singapore. Students of Joseph Banowetz have been awarded important national and international competition prizes, including first prizes at the Hilton Head International Piano Competition (U.S.), Shreveport Symphony International Piano Competition (U.S.), Missouri Southern International Piano Competition (U.S.), Los Angeles International Liszt Competition, and McMahan International Piano Competition (U.S.). Other awards have been received at such competitions as the Minsk (Belarus) International Piano Competition, the Varna (Bulgaria) International Orchestral Soloist Competition, and the Louisiana International Piano Competition (U.S.). Several of his students have been heard on internationally distributed commercial compact disc recordings. His former student, Petronel Malan, received a Grammy nomination from the Recording Academy (U.S.) for one of her recordings on the Hänssler label. James Litzelman
Litzelman is an active member of many professional organizations, including the Music Teachers National Association, the College Music Society, and the American Liszt Society and has served as chairman of the "Future of Piano Pedagogy" committee for the World Piano Pedagogy Conference. He is also active as a writer, having had articles published in various musical publications such as Keyboard Companion, and the American Music Teacher. Additionally, Litzelman serves on the national editorial committee of the American Music Teacher magazine and is a reviewer of new books and music for that periodical. Litzelman maintains an active independent studio at his home in Arlington, Virginia, where his students have distinguished themselves in local, national and international competitions and music festivals. He is a member of the Virginia Music Teachers Association, the Northern Virginia Music Teachers Association-currently serving as president-elect of that organization-the Washington Music Teachers Association and the Maryland State Music Teachers Association. Litzelman has been on the faculty at The Catholic University of America since 1993.
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